CineSavant dame may whitty Games george macready my name is julia ross nina foch

My Name is Julia Ross

My Name is Julia Ross

Is that this any method to deal with a woman?  Pretty Nina Foch simply needed a job, however she as an alternative turns into the fall-gal in a psychologically perverse plan to disclaim her very id. Cult director Joseph H. Lewis makes deft use of cinematic suspense methods to compel our involvement in a weird conspiracy: not simply convincing a lady that she’s insane, however that she’s actually not herself.

My Identify is Julia Ross
Arrow Academy
Starring: Nina Foch, Dame Might Whitty, George Macready, Roland Varno, Leonard Mudie, Anita Bolster, Doris Lloyd, Queenie Leonard.
Cinematography: Burnett Guffey
Movie Editor: Henry Batista
Visible Results: Lawrence Butler, Donald Glouner
Musical director: Mischa Bakaleinikoff
Written by Muriel Roy Bolton, from the novel by Anthony Gilbert (Lucy Malleson)
Produced by Wallace MacDonald
Directed by Joseph H. Lewis


2019 is shaping up simply high-quality for Blu-ray releases of small-scale, big-reputation Movies Noir. Criterion’s much-awaited restoration of Edgar Ulmer’s Detour is due on March 19. With this launch Arrow Academy provides us an equally overachieving noir sleeper from the identical yr, with an equally temporary operating time. Cult director Joseph H. Lewis packs plenty of cinematic energy into only one hour and 5 minutes.


World Struggle 2 introduced sudden alternatives to actors adjudged 4F on the draft board however A+ on the size of excellent seems to be. It additionally opened doorways for brand spanking new administrators, who got here from the theater or have been emigrés like Douglas Sirk. Journeymen laboring in odd corners of the business obtained a leg up: Budd Boetticher, Jules Dassin, André De Toth, Gordon Douglas, Phil Carlson, Cy Endfield… the record goes on. When Pearl Harbor got here alongside, director Joseph H. Lewis had already been making westerns for 5 years, plus the occasional Lifeless Finish Youngsters film. He helmed a few B horror gadgets for Common, however even because the struggle ended was nonetheless doing studio movies on the ‘collection’ degree, like The Falcon in San Francisco.

Then Lewis’s ship got here in — a hoped-for venture with standout potential. Sarcastically tailored from a e-book by a lady writing underneath a male pen identify, My Identify is Julia Ross turned that happiest of career-boosting phenomena, the Sleeper: a film that no one expects to shine but performs at a degree the business can’t ignore. Val Lewton and Jacques Tourneur have been obscure till Cat Individuals, after which have been abruptly given high quality area in newspaper and journal articles. The identical occurred in a much less public method for director William Fort and author Philip Yordan, when their marginal productions attracted approving audiences and emphatic important approval. Some films boosted careers even earlier than they have been launched. Howard Hughes shelved They Reside by Night time (Nicholas Ray) and The Slender Margin (Richard Fleischer) for a yr every, however quiet business screenings generated buzz that reworked each males into fascinating directing hires.


The canny thriller My Identify is Julia Ross combines ladies’s journal considerations with a basic gothic theme, topped by a contemporary psychological query: how firmly do we all know who we’re?   Would we really feel as sure if the whole lot in our every day lives instantly refused to verify our self-identity?

Julia Ross (Nina Foch) is a beautiful English secretary in London, badly in want of a job. Responding to a need advert, she studies to her new place as a woman’s companion — however when she wakes up the subsequent morning, she’s in a lavish previous mansion overlooking a seashore in faraway Cornwall. Julia is advised that she’s Marian Hughes, the spouse of Ralph Hughes (George Macready) and that she’s simply been launched from an asylum. Unable to flee from the Hughes’ ‘protecting care,’ Julia finds herself in a conspiracy so full that she begins to query her sanity — what proof does she have that each one these involved individuals, together with Ralph’s solicitous mom (Dame Mae Whitty) usually are not searching for her greatest pursuits?  Each by plan and accidentally, Julia’s boyfriend Dennis (Roland Varno) finds her whereabouts inconceivable to hint. Julia/Marian realizes solely slowly that she’s the patsy for a unbelievable, diabolical plot to safe a household inheritance; her solely hope is sneak a message out, or to make somebody consider her — or to discover a psychological weak spot in her ‘husband’ Ralph.


The Julia Ross story concept has been revisited many occasions, notably in Silvio Narrizano’s Hammer movie Die! Die! My Darling!: no one forgets the frantic Stephanie Powers making an attempt to get Donald Sutherland’s mentally impaired handyman to hold her message for assist. Julia Ross was additionally remade with Mary Steenburgen in 1987, as Lifeless of Winter. Combining mixed magnificence with intelligence, the Dutch-born Nina Foch carries Julia Ross with ease. She might have been desperate to play the fascinating Julia Ross after working within the horror entries The Return of the Vampire and Cry of the Werewolf. Foch had simply come from two earlier homicide thriller tales, I Love a Thriller and Escape within the Fog (by Budd Boetticher).

In contrast to many older thrillers My Identify is Julia Ross nonetheless carries a serious suspense kick. The primary-person nightmare instantly pulls viewers in — the Hughes’ mount a full-on charade to persuade the locals that ‘Marian’ is a semi-suicidal psychological case. A lot of the film is spent spelling out the appalling means by which Julia is stored at the hours of darkness, and her resourceful makes an attempt to revive her true id. She tries numerous ruses to speak together with her boyfriend in London. Ralph and his evil mom counter her films with much more elaborate games-playing, and an help from a servant-accomplice (Leonard Mudie). Our identification with Julia by no means flags.


With just a little medical assist, I’m positive my spouse would haven’t any hassle telling the neighbors that I’d flipped my lid and wanted to be stored drugged and locked up. (I’d higher not give her concepts.) Even in 1945 such conspiracies have been potential, however it takes some time for poor Julia to understand simply how powerless she is. However she does intuit a weak spot between her captors: even the diabolical Mrs. Hughes has little management over her basically disturbed son, who performs with knives and damaged glass.

Director Joseph Lewis was beforehand often known as a artistic studio group participant who enlivened cookie-cutter westerns with clever compositions. He typically added curiosity (and visible depth) by capturing scenes via foreground objects. That earned him the nickname ‘Wagon Wheel Joe.’ However wanting on the director’s Common thriller The Mad Physician of Market Road, we will see how little alternative was to be present in most B-film assignments. No one might get a leg up in Hollywood by directing Mad Physician potboilers.

Lewis drew the fortunate script that a intelligent director might spin into thriller gold, on a tiny finances. His path pulls double-duty, convincing us of the normalcy of Julia’s London boarding home in addition to the intimidating, dreamlike Hughes family. Lewis makes his restricted assets rely in key establishing scenes. A posh opening on a wet day in London sees Julia holding an employment appointment that appears utterly regular, at first. A powerful matte portray helps set up the lonely mansion on the distant sea bluff.


Julia is magically transported from gloomy London to a gothic jail, lovely however sinister. When she first wakes up within the Hughes mansion, Lewis pulls off a notable visible coup — an inquisitive, hesitant 180-degree pan round her room. (Word: critics all the time say ‘360’ however the digital camera solely sweeps round half of the room.) The present additionally abounds in photographs that includes artistic makes use of of shadows for dramatic impact — not as acute as Nosferatu- perhaps, however robust sufficient to imbue bizarre photographs with a second degree of thriller. On the proof of this movie, it will appear that Lewis paid shut consideration to high-class thrillers, particularly the Hitchcock movies with their artistic subjective digital camera results.

The yr earlier than, William Citadel had attracted crucial plaudits by consciously imitating Hitchcock together with his noir suspense story When Strangers Marry. However Hitchcock would possible be extra inclined to admire Joseph H. Lewis’s visible flexibility, as Julia Ross’s use of subjective point-of-view is extra refined and natural to the fabric. Lewis conveys Julia’s panic, claustrophobia and eventual willpower to outlive what shapes as much as be a cold-blooded homicide conspiracy. The film is nearly midway over earlier than Julia absolutely realizes the repair she’s in. When the present opened in late 1945, the frantic occasions of the final reel have been thought-about a nail-biting expertise.

Nina Foch by no means turned a star, however she was extremely revered in footage like
Johnny O’Clock and Government Suite; fifteen years later, she’s notably good as a nasty patrician housewife in Kubrick’s Spartacus. Ever the sinister smoothie, George Macready’s fortunes improved as properly, particularly a yr later after Gilda. Dame Might Whitty was born nearly when Lee and Grant have been ending our Civil Conflict (!); she’s greatest referred to as the lovable Miss Froy in Hitchcock’s The Woman Vanishes. Simply three years later Whitty can be gone, however she remained lively virtually to the top.


Joseph H. Lewis instantly gained greater assignments at Columbia. He caught with cameraman Burnett Guffey and was rewarded with a key Columbia star, Glenn Ford. For the subsequent ten years he labored virtually solely in movie noir, and hit his profession excessive with the basic Gun Loopy. Lewis’s directorial improvements and excellence with modest budgets gained him the respect of the business, even when his standing as a ‘cult auteur’ took twenty years to reach.

Sufficient years have passed by to overshadow the novelty of My Identify is Julia Ross’s ‘gaslight-conspiracy’ story concept. Tons of of movies and TV exhibits have mined the identical territory, however this unique nonetheless performs nicely and has retained its status. I keep in mind very nicely when UCLA graduate scholar / Educating Assistant Janey Place ‘found’ Julia as a feminist movie. I consider she had satisfied some Los Angeles revival theater (the Beverly Canon?) to dig up a print of the then- obscure image, and promoted the screening to the movie faculty college students and school with a hand-written flyer.

Arrow Academy’s Blu-ray of My Identify is Julia Ross provides us a flawless, glowing switch of this gem shot by Columbia’s noir ace Burnett Guffey. The present seems merely nice — when the filmmakers rigorously consider sure visuals the impact is beautiful, as with the opening rain scene.

First up is a 22-minute featurette evaluation of Julia Ross by Nora Fiore, who begins with a fast assertion about feminine id in postwar Hollywood earlier than providing a bio of director Joseph H. Lewis. Fiore has learn the unique novel, however doesn’t do a full comparability. An insert pamphlet accommodates an informative essay by Adrian Martin. An unique trailer is fairly dire — its hyped textual content declarations make the film’s wonderful plot twists appear strange.

The extras end with a elegant, assured Alan Okay. Rode commentary. He opens by saying he’s going to speak lots concerning the actors, and his incisive feedback go a lot farther than the standard record of credit. Whereas praising Joseph H. Lewis, Rode presents a actuality examine on the director’s boasts in late-career interviews, during which he took credit score for many all the things in his movies. He claimed to have written the script for Gun Loopy, and to have found its main actress Peggy Cummins (who had been busy in Hollywood for a number of years). He stated that Julia Ross bloomed from a double invoice merchandise to first-run foundation because of a robust viewers response, however Rode shoots down that assertion as nicely — though most critics liked Julia it did spend most of its time as a second function merchandise. The director’s actual reward was an enhanced fame within the business. Why did he not grow to be a much bigger participant, and bounce to ‘A’ productions?  Rode says that Lewis maybe wasn’t aggressive in promoting himself, and that he might have alienated the studio brass by imposing himself in post-production, which at the moment was principally the area of producers.

Lewis’s consideration to post-production element makes all of the distinction in My Identify is Julia Ross. The matte photographs of the imposing Hughes mansion are wonderful; they’re much better than the phony miniatures in Hitchcock’s huge hit Rebecca of the same mystery-house Manderley.

The commentary jaw-dropper for style followers is Rode’s connecting an actor on this film to Roger Corman’s teenage author Martin Varno. I heard the identify ‘Varno’ however wouldn’t have dreamed a relationship. I ought to have discovered sooner that every part within the small city of Hollywood was as soon as an internet of private connections — that aged neighbor subsequent door may properly have terrific business tales to inform.

Reviewed by Glenn Erickson

My Identify is Julia Ross
Blu-ray charges:
Film: Wonderful
Video: Wonderful
Sound: Wonderful
Dietary supplements: Audio commentary by Alan Okay. Rode; evaluation featurette Id Disaster: Joseph H. Lewis at Columbia by Nora Fiore, ‘The Nitrate Diva,’ unique trailer; illustrated booklet with an essay by Adrian Martin.
Deaf and Listening to-impaired Pleasant? YES; Subtitles: English (function solely)
Packaging: One Blu-ray in Maintain case
Reviewed: February 5, 2019

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